- Room 9 West Interior
- Rooms 2, 4, 9, and 15
Description: Looking north across rooms 2 (front left) and 4 (front right) into rooms 9 (center left) and 15 (center right). Room 8 is barely visible at the far back left, as is Room 16 at the far back right. The corner of Room 7 is also just visible in the extreme left foreground of the photo. Note the number of sealed doorways. Date: June 9, 2010 - Rooms 5, 4, and 15
Description: View north emphasizing the linear alignment of rooms 5 (front), 4 (center), and 15 (back), the latter of which is also part of the north alignment of rooms (8, 9, 15, 16, and 17). Date: June 9, 2010 - Rooms 7, 2, 4, and 5
Description: Looking southeast across rooms 7 (front), 2 (center), 4 (back left), and 5 (back right). Date: June 9, 2010 - Rooms 8, 7, 6, and 1-S
Description: Looking south across rooms 1-N and 6 into Room 1-S. Room 8 is immediately left of the photographer, and Room 7 is left of Room 6, which visible at two walls separating the room from rooms 7 and 1-S. Room 1-N features cannot be seen in this image because of the angle of the camera. Date: June 9, 2010 - Rosary
Cultural Period: Spanish Colonial (late 1500s – 1846) Description: Rosary with black beads and a silver and black crucifix. Provenience: Unknown. Collection: National Park Service, El Morro. - Rough Bone Pin
Cultural Period: Ancestral Puebloan, Atsinna Pueblo (A.D. 1275 – mid-1300s) Description: Rough, slightly polished and curved pin from Atsinna Pueblo. Dimensions: L 5.4, W 0.3, T 0.1 cm. Provenience: LA 99 (Atsinna Pueblo), MAIN PLAZA, TEST 1, 45-50 M, 150-200 CM. Collection: National Park Service, El Morro. - Rough Splinter Awl
Cultural Period: Ancestral Puebloan, Atsinna Pueblo (A.D. 1275 – mid-1300s) Description: Rough, perhaps unfinished, bone splinter awl with a blunt point. Dimensions: L 4.9, DIAM 0.4 CM. Provenience: LA 99 (Atsinna Pueblo), Room 20, Fill. Collection: National Park Service, El Morro. - San Clemente Glaze Polychrome Sherd Interiors
Description: San Clemente Glaze Polychrome sherd interiors. Dimensions: Unknown. Collection: National Park Service, El Morro (Catalog No. ELMO 533). - San Pedro Point
Cultural Period: Ancestral Puebloan, Atsinna Pueblo (A.D. 1275 – mid-1300s) Description: Obsidian, corner to side-notched projectile point with convex margins that appear slightly serrated. Identified by Ashlee Bailey, Northern Arizona University graduate student in Anthropology as a San Pedro point, which is an Archaic period point type dating substantially earlier than the occupation of Atsinna Pueblo. Dimensions: L 3.3, W 1.9, T 0.6 CM. Provenience: LA 99 (Atsinna Pueblo), RM 18, Near NE corner of the pueblo, at former ground level. Collection: National Park Service, El Morro. - San Pedro Point
Cultural Period: Ancestral Puebloan, Atsinna Pueblo (A.D. 1275 – mid-1300s) Description: Corner-to side-notched projectile point proximal to medial fragment with an expanding base; made from a red and white mottled chert or chalcedony. Identified by Ashlee Bailey, Northern Arizona University graduate student in Anthropology, as a San Pedro projectile point. Dimensions: L 5.0, W 4.0 CM. Provenience: LA 99 (Atsinna Pueblo), Main Plaza, Test 1, 36.00-38.75 M. Collection: National Park Service, El Morro. - San Pedro Projectile Point
Cultural Period: Ancestral Puebloan, Atsinna Pueblo (A.D. 1275 – mid-1300s) Description: Shallow corner- to side notched projectile point with a straight base, made on a red-tan chert. Identified by Ashlee Bailey, Northern Arizona University graduate student in Anthropology, as a San Pedro projectile point. Dimensions: L 3.2, W 1.8 CM. Provenience: LA 99 (Atsinna Pueblo), Main Plaza, Test 1. Collection: National Park Service, El Morro. - San Ysidro Santo
Cultural Period: Spanish Colonial (late 1500s – 1846) Description: Modern wooden San Ysidro, the patron saint of farmers, made in the tradition of Colonial period New Mexican santeros, or saint makers. Provenience: Made by New Mexican artist Luis Tapia in 1982. Collection: National Park Service, El Morro. - San Ysidro Santo, Alternate View
Cultural Period: Spanish Colonial (late 1500s – 1846) Description: Modern wooden San Ysidro, the patron saint of farmers, made in the tradition of Colonial period New Mexican santeros, or saint makers. Provenience: Made by New Mexican artist Luis Tapia in 1982. Collection: National Park Service, El Morro. - Santo, Back
Cultural Period: Spanish Colonial (late 1500s – 1846) Description: Painted wooden santo with a red robe and a brown and yellow cloak. The paint is cracking and peeling, worm holes riddle the base, and the hands are missing, but the eyes retain their original luster. Provenience: Unknown. Collection: National Park Service, El Morro.